While they make for decent TV, I’ve always thought the artificial constraints on those do-it-yourself shows were kind of silly. Even Mythbusters falls for the trap of giving someone two days for some sort of impossible task like building an Archimedes death ray. What kind of nutcase decides to remodel a room in two days and expect it to actually look good? Perhaps one like me.
I’ve written before about Fringe. It is one of the more unique arts organizations, as an evening at a fringe event combines a DJ spinning techno with a short film and two pieces of chamber music. It’s being held this year at a church, and the bar is generally manned by either one of the church elders or possibly the pastor. I made the first event, but I was on an airplane for the second one.
A few weeks ago I was asked to engineer the third event in this year’s series. Engineering one of these shows means not only ensuring that the DJ and the movie can be heard, it also means recording the show and putting it up on Disc Revolt. It’s a helluva opportunity, but it’s also turned out to be a bigger challenge than I ever thought.
Recording chamber music is a tricky affair, especially when the arrangement is a trio of piano, violin, and either clarinet or French horn. For starters, how the hell do you mic a French horn??? There’s only one take, and not a lot of rehearsal time. That doesn’t leave much time for precise mic placement. And since the only recording device we have is a CD burner, it meant one shot at getting the mix right. But none of that is the bad part.
The real work comes in the post production, and that’s the tough part, because part of the deal is that the music will be posted in 24 hours. While I’ve recorded a lot of material, I haven’t done much post-production. I’ve spent most the night and this morning learning the software, identifying the right effects, cutting the tracks, labeling them, and putting them up on the web. I can’t say that it’s the best classical recording ever, but given the circumstances, I’m pretty happy with how it’s turned out. Now it’s time for a nap.